Showing posts with label popular culture. Show all posts
Showing posts with label popular culture. Show all posts

Sunday, 1 July 2018

From abusive sex tourism by the privileged to Love Island


I have been reading a terrible book. It's called Sultry Climates by Ian Littlewood. The book's subtitle is "Travel and sex since the Grand Tour". Within its pages, you will find an uncritical, morally lazy look at sex tourism of the privileged without any voice given to the people with whom these men - and a few token women - were having sex.

A direct line can be drawn between the apologia for pederasty by men such as Byron, as recounted in this book, and the horrendous advocacy of sex between grown men and 13-year-old boys by deeply insecure, attention-seeking troll-for-hire, Milo Yiannopolous, who is rapidly becoming a fringe figure as he desperately tries to stay relevant. 

For many, Milo's comments were a bigotry too far - after being totally fine with his racism, sexism and Poundland economics - just as the fan bases of Jimmy Savile and Rolf Harris rightly withered away after revelations of their sexual abuse of minors came to light. It is a sign of an improved society that child rape - for that is what paedophilia is - is looked upon by most people as being abhorrent. 

In Sultry Climates, Littlewood quotes the writings of white, wealthy British men (and the rather dreadful Paul Gaugin) who could afford to travel to Europe as well as countries such as Algeria, Morocco and Tahiti, in centuries gone by. Some of these men are gay and the book does nothing to dispel the myth that all gay men are paedophiles. Excerpts, mostly from diaries and letters, about seeking out inevitably "beautiful boys" and men procuring these kids for each other, are published without any real critique, except to say that travelling away from conservative Britain was a blessed release for gay men in a less enlightened time.  

There is no attempt by Littlewood to find out who these boys were, whether they were prostituted at the behest of poor families, what physical and emotional damage was left behind when these selfish, self-indulgent men returned home. Obviously, it is appalling that until relatively recently, it was very difficult and indeed illegal to be openly gay on Britain - but that does not excuse child rape. 

And it's not just gay men getting their rocks off with children who are romanticised by Littlewood. There is an account of a man having sex with a girl of 12, again written about with any real thought to what the experience would have been like from the point of view of the victim. It's just something men do because they can, because while abroad, they are free of the apparently terrible constraints that prevent them from raping girls. That particularly disturbing passage was all about how the man in question could not believe his good fortune.

And when the book shares accounts from further afield in South Pacific, you can almost hear Littlewood's hand furiously grinding away in his underpants as he again lets the privileged men describe their encounters with local women. These women were, as far as they were concerned, all willing participants, offering themselves to ship-weary travellers. Like the "beautiful boys" who were picked up in Europe and North Africa, all the women of the South Pacific are described as physically magnificent to the point of fetishising them. He describes the men who were drawn to the South Pacific as "rebel spirits" when "rapists" is more accurate. But there is zero research conducted into the lives of these women by Littlewood or the real consequences of men landing on their shores and colonising their bodies as well as their land.

Indeed, women take a secondary role across the entire book, aside from a few paragraphs here and there. The women are, like the men in this book, wealthy enough to afford to travel in pre-Easyjet times to places where they can enjoy sexual freedom away from Victorian expectations of marriage and childbirth. The stories of their sexual encounters, in which they miraculously seem able to steer clear of abusing kids, are dropped in with minimal research. 

Embarrassingly, the book concludes with references to Club Med as a latter day equivalent to the sexually free tours of abusive posh gits in days of yore. I had forgotten Club Med was still a thing and, having taken a peek at their website, I am amazed that it still is a thing - their prices are ridiculous and the search engine is terrible.

Obviously, the "what happens on tour stays on tour" mentality still exists for many people (most of us know of at least one married or partnered-up person who uses business trips as an excuse to shag around) and there are still plenty of British men who sexually exploit women while on holiday - and this is no longer limited to wealthy men in this era of more affordable international travel. It would be naive to think otherwise - but these exploits are not necessarily romanticised in the way Littlewood does in his pitiful tome. 

And that brings us to Love Island, which has people across the nation glued to ITV to see which of the nubile young contestants will be "coupled up", who will get "mugged off" and whether it is possible to form a serious relationship while doing "cheeky challenges" for the cameras.

It is all too easy to sneer at Love Island, to consider oneself to be socially, morally and intellectually above the contestants. But it is more honest and wholesome than any of the abusive behaviour that happened when wealthy, privileged men escaped Britain to chase sex elsewhere with scant regard for consequences or consent. Sure, Hayley thought Brexit might mean that all the trees will be cut down, but she epitomises the not-uncommon phenomenon of the physically glorious young woman who has only had one lover. For all the moral panicking going on out there about teenage sexual behaviour, research from the Next Steps Project found that one in eight people aged 26 are still virgins, a much higher proportion than around one in 20, as studies of earlier generations found. 

So far, only two, maybe three, couples have had sex in the current series of Love Island, with the first couple "doing bits" on episode 16. Only a seriously tedious prude would consider that rate of shaggery as some sort of orgy. The fact they refer to sex as "doing bits" tells you everything you need to know, bless 'em.

And unlike the wealthy creeps of centuries past, the sex that's happening on Love Island is consensual. Nobody is underage, nobody is being exploited, nobody is bothered about social class, and even if "doing bits" is a euphemism that makes me think of grinding things with a mortar and pestle rather than one's genitals, the young men and women are able to talk about what they're getting up to without rushing to either confession or their mothers. Only the nation's dreariest wet blankets are getting upset. 

Give me a society where sex is consensual and discussed without embarrassment over one where sexual freedom is only for the privileged few at the expense of the vulnerable in faraway lands. Whether they realise it or not, the Love Islanders are flipping a massive bird at past hypocrisies and for that. I salute them.


Photo by Oliver Sjöström from Pexels

Sunday, 7 February 2016

Random rants from a busy Rant Mistress...



I've started a new job, I've been in and out of the country, I'll be out of the country and back again soon, I've been busy, I've neglected to rant. Here, in no particular order, are some random thoughts that I have not gotten around to committing to paper, or indeed the internet.

- Frankly, if the junior doctors' strike was only about pay, so fucking what? I want to live in a country that respects doctors enough to pay them properly. The race-to-the-bottom nonsense of wanting everyone to live in penury is pathetic.

- Richard Dawkins' absurd (and now deleted) tweet saying Queen Rania of Jordan is a good Muslim, showing off her lovely hair, is merely another tragic example of the fetishising of said queen. Sure, she is an attractive, articulate woman with good hair. But, thanks to her position of privilege, she has the luxury of being outspoken in a way that many in her country, particularly journalists do not.

- I don't think Jeremy Corbyn will ever win a general election.

- Trying to get people to understand that PFI and the cost of administering the marketised NHS are the two main cost pressures is bloody exhausting.

- The world will need fossil fuels for a while longer. If you own anything made of plastic or a T-shirt that is not 100% cotton, or you'd prefer to abseil using nylon ropes instead of hemp ropes, then you are using petrochemicals. Sorry.

- Stop asking stupid questions of women over 35 who do not have any children. If she wants to discuss the reasons behind her child-free life in detail, regardless of whether she is childless through choice or circumstance, she will volunteer the information. If not, butt out of her uterus.

- The Revenant is a completely overrated film.

- It is tiresome and ridiculous that the Zika virus outbreak is once again dragging non-scientific anti-vaxx arguments out of the woodwork yet again. Give it a rest. Learn some science. You are embarrassing yourselves.

- Hillary Clinton will be the next president of the United States of America.

- The UK will vote to stay in the EU - and I suspect the vote won't be as close as people think it will be.

- If you seriously think the homeopathy-mad, failed marmalade mogul, Jeremy Hunt, is a good Health Secretary, you are deluded and I am not sure I can help you.

- Does anyone find Keith Lemon funny?

- It was really moving to see the Stade de France full of spectators watching the France vs Italy Six Nations match yesterday.

- David Cameron, Boris Johnson and Jeremy Hunt are all pathetic negotiators and I refuse to take any of them seriously.

- It is time for long-standing refugee camps in the Middle East to be turned into proper towns with proper schools, hospitals and economic activity, such as businesses and industry.

- Deutschland 83 is excellent television and should cure people of Ostalgie, even if it is a fictitious account. If not, read Stasiland by Anna Funder instead. Romanticising East Germany is ridiculous and makes elements of the left look completely stupid.













Photography by Kim Rempel

Wednesday, 27 February 2013

"I saw your boobs!" "I saw the Outrage Olympics!"


The internet is still buzzing over whether Seth MacFarlane is a hate-filled misogynistic pig after his turn at hosting the Oscars the other night. In particular, the "I Saw Your Boobs" song has attracted much outrage. That'd be the pre-recorded stunt in which Naomi Watts and Charlize Theron, two of the actresses named in the song, were willing participants in the joke.

The overwhelming reaction to this song was a festival of missing the point. As Seth MacFarlane and the Gay Men's Chorus of Los Angeles tunefully rattled off a litany of silver screen breast appearances, pearls were clutched all over the place. Special outrage was saved for his name-checking of actresses who showed their breasts while playing characters who were raped.

Was I the only person who saw this as a satire on the rationalisation process actresses go through when they appear nude on camera for serious roles? How many times have we heard actresses say with a perfectly straight face that the nudity was essential to the storyline or the development of the character? It's artistic nudity as opposed to X-rated movie nudity, so the narrative goes. And, just as the "I Saw Your Boobs" routine demonstrated ironically, it's seldom career suicide to go naked for a serious role. The song listed amazing performances by talented actresses who are clearly valued for more than their breasts.

When I worked at FHM in Australia, the "would you go nude for a role?" question was asked of pretty much every actress who appeared in the magazine when they appeared for a shoot in either lingerie or a bikini. Even a ditzy soap opera star who was hardly likely to end up in a remake of Monster's Ball would give the cookie cutter "If it's appropriate for the role..." answer.

It's certainly more refreshing to hear about actresses who question the need for nudity and have won the battle to not get their breasts out. In today's Metro, Mia Wasikowska says that she has indeed turned down nude scenes and questioned their relevance to the script.

Actresses who chooses to go nude for a scene of sexual abuse don't do it to titillate the audience. But once that scene is out there, there is nothing to stop moviegoers from being aroused even if it is a thoroughly traumatic scene. As such, supposedly high-end men's magazines, such as GQ, have run galleries of breasts in movies and there are countless websites and forums dedicated to leering over naked actresses and flagging up films that feature breasts, bums and vulvae.

No actress has ever said: "Yes, I got naked because I knew it would get bums on cinema seats, turn people on and make the studio pots of money." but that doesn't stop some people from seeing movies because they want to see breasts. People can be creepy.

Perhaps now we can have a conversation on why breasts even need to feature in rape scenes at all. These scenes are always hard to watch, and the sounds and facial expressions of both victim and perpetrator can speak volumes without anyone's private parts being exposed. Such a conversation sounds like a rather po-faced outcome of a comedy sketch, but comedy should exist as a catalyst for serious discussion.

It is stunning that the joke needs to be explained. Did everybody miss the irony of a group of gay men singing about the joys of seeing boobs? Yes, it was a bit puerile but taking the piss out of the earnestness of actresses who've gone nude is a perfectly valid topic for satire. The mention of us seeing Scarlett Johansson's boobs on our phones was a bit unnecessary as that was breast exposure without her consent, but the rest of the song's content was fair game.

Are you wondering why the song wasn't called "I Saw Your Dick"? Off the top of my head, I can recall seeing three actor penises: Harvey Keitel in The Piano, Kevin Bacon in Wild Things and Michael Fassbender in Shame. That is three penises since 1993. Or an average of one cinematic willy every 6.666 years.

There's a gender divide in getting naked to get credibility. That is absolutely worth a spot of satire at the annual festival of frocks, red carpet body snarking, insincerity and nauseating self-congratulation.


Image courtesy of www.kozzi.com