Tuesday 6 October 2020

The pandemic of "honour" killings

 


Let's start calling so-called "honour" killings by their real name. They are misogynistic murders. They are the murders of girls and women who have done nothing wrong. They are murders committed almost exclusively by men, although women can be complicit. They are murders with vile motivations such as a taking false offence, feeling an unwarranted sense of shame, a desire to control girls and women in everything they say, do and think, a heinous jealousy that is never flattering, a desire to maintain a sickening patriarchy where men and boys enjoy freedoms that they deny to the girls and women in their lives.

The disgusting reality of misogynistic murders was brought into sharp focus last week with Honour, the ITV drama based on the 2006 murder of 20-year-old Banaz Mahmod at the hands of her own father and uncle. Three of her cousins and two family friends were also convicted in relation to her killing. Her non-crime was to leave an abusive forced marriage and find happiness with a new boyfriend, who killed himself 10 years after Banaz was murdered. 

Banaz had gone to the police multiple times to share her very real fears that her life was in danger, even naming names of the people of whom she was rightly terrified, but she was not taken seriously until she went missing. Her body was found in a suitcase buried in a derelict garden in Birmingham, after she was killed in South London a few miles from where I'm now sitting. She is buried at the cemetery down the road. Her family tried to insult her one last time with an unmarked grave but a granite memorial stone now marks her final resting place, paid for by the Iranian and Kurdish Women's Rights Organisation (IKWRO), police officers and Nazir Afzal, the tenacious lead prosecutor in her case.

One of the most heartbreaking aspects of the ITV drama was the portrayal of Diana Nammi by brilliant, brave Saudi actress Ahd Hassan Kamel. Diana is a British-Kurdish activist who came to the UK as an asylum seeker, founding IKWRO in 2002. There is a scene where she expresses her sheer frustration that because she is a woman, she is not considered a leader in the community where Banaz and her Iraq-Kurdish family lived.

But Diana is a leader. It is so important that Britain has elevated her to this status because of her important work, which included helping bring Banaz's killers to justice. In 2014, she received a Barclays Woman of the Year award,s a Women on the Move award from UNHCR and named one of the BBC's 100 Women. In 2015, she received a Voices of Courage award from the Women's Refugee Commission in 2015 and an honorary degree from the University of Essex in 2016.  

This is important because Britain needs to be better than the misogynistic murderers of Banaz Mamod, to take a stand, to speak the truth that there is nothing honourable about honour killings. A vital part of this is for Britain to be a place where women, regardless of their ethnicity, are empowered to be community leaders, to be taken seriously when they defend vulnerable girls and women and denounce misogynistic, patriarchal cultures - all of them everywhere - in no uncertain terms.

Appalling stories such as that of Banaz Mahmod are low-hanging fruit for racists. There will always be the people whose first reaction is to blame immigration, to claim that if "these people" weren't allowed in the UK, then such murders wouldn't happen here. 

This is a dreadful notion for two reasons. 

Firstly, while Banaz Mahmod would not have been killed on British soil if her family didn't come to the UK, it is entirely possible that she could have been killed in similar circumstances in Iraq - the problem of so-called honour killings would simply happen elsewhere and that is equally as unacceptable as when it happens here. The banning of immigration and, in particular, the stopping of all asylum seekers being allowed to seek safety in the UK, simply moves the problem to other countries. If Britain is serious about the moral high ground and about stopping the bloodshed, it is essential that we condemn all so-called honour killings, no matter where they happen.

And secondly, it is wrong to claim that such murders are only the domain of immigrants, that the only hands that are gripped around innocent necks or holding knives or tightening ligatures or pointing guns in the name of false offence or bringing supposed shame to families and, in particular, to men belong solely to foreigners.

In the UK, the number of women killed by current or former partner is on the increase. Data from the Office for National Statistics showed that 80 women were killed by a current or former partner between April 2018 and March 2019, a 27% increase on the previous year.

If you think these men's motivations are any different to those of the pathetic men who were offended by Banaz Mahmod making her own life choices, you're mistaken. When women are murdered by men close to them, it doesn't matter what colour anyone's skin is or whether anyone's family has been in the UK for a few years or since Roman times. The killers are still men who hate women. They are still offended because a woman has dared to leave or spurned advances or was perceived to have strayed or flirted or fell short of some impossible standard. These men, just as surely as Banaz Mahmod's killers did, feel a misguided and bogus shame, feel like they have lost control of women they considered their property, feel their pitiful male pride has been wounded by women who would not comply. 

If we are serious about ending this misogynistic turf war that is fought on women's bodies, more needs to be done. We should absolutely engage with all communities in Britain, to uphold courageous people such as Diana Nammi who shine a light on this hatred and violence at great personal cost. But we also need to acknowledge that murderous misogyny is not exclusive to any one community or ethnic group. It is a dark stain on every town and city and as long as women are killed by people close to them every single week, it shames us all.   








Photography by Joanne Adela Low/Pexels 

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